根据澳大利亚早期著名诗人C.J. Dennis的《Songs of a Sentimental Bloke》改编，是澳国百年影史的最佳默片。网上有片段可在线观看：http://dl.filmaust.com.au/module/1187/ 　　THE SENTIMENTAL BLOKE is regarded by many as the greatest silent film that Australia has produced. 　　The Sentimental Bloke (1919) is an Australian silent film based on the 1915 Australian poem The Songs of a Sentimental Bloke by C.J. Dennis. 　　The film from the Southern Cross Feature Film Company of Adelaide, was made by Raymond Longford and Lottie Lyell, at the time best known partnership in Australian cinema, starring Lyell and a vaudeville comedian, Arthur Tauchert, and filmed mainly in the inner city Sydney suburb of Woolloomooloo. 　　Tauchert plays the 'sentimental bloke', a Sydney larrikin, who vows to abandon his life of gambling (playing Two-up) and drinking when he falls in love with Doreen (Lyell), who works in a pickle factory. 　　Lyell is thought to have co-authored the screenplay, written the titles, edited the film and helped with the direction. 　　The Sentimental Bloke uses intertitles taken from the original poem written in Australian slang and was a hit when it opened in Melbourne Town Hall on October 4 1919, breaking all existing box office records. It was also popular in Britain and New Zealand, but did not succeed in the U.S., where test audiences failed to understand the language. Despite being recut with Americanised intertitles, having some scenes cut out, and renamed for the American market as The Story of a Tough Guy, it was withdrawn from distribution. 　　The film was rediscovered in the 1950s and a new print screened at the Sydney Film Festival in 1955, and Longford was found to be working as a night watchman on the Sydney wharfs, (Lyell had died in 1925 of tuberculosis). 　　Since then the original negative sent to the U.S. was discovered (labelled as The Sentimental Blonde) at the Film Archive at George Eastman House International Museum of Photography and Film in Rochester, New York, found to be a different version and of a better quality print than any of the Australian copies. The new version premiered at the 2004 Sydney Film Festival and has played at the 2005 London Film Festival.

身无分文的歌手山姆发现自己染上爱滋病后，终日借酒消愁，但很快就疯狂地恋爱了。在前东德的破旧环境里，他要为千禧年、为染上爱滋病的年轻患者建立一个“家庭”。他这个组建的“家庭”包括前任男友Rainer，他的密友Bastl和他的性伙伴Mike。这些形形色色的“同志”带出一个充满怀旧东欧色彩，甜蜜而催人泪下的悲剧故事。

身无分文的歌手山姆发现自己染上爱滋病后，终日借酒消愁，但很快就疯狂地恋爱了。在前东德的破旧环境里，他要为千禧年、为染上爱滋病的年轻患者建立一个“家庭”。他这个组建的“家庭”包括前任男友Rainer，他的密友Bastl和他的性伙伴Mike。这些形形色色的“同志”带出一个充满怀旧东欧色彩，甜蜜而催人泪下的悲剧故事。

露西娅和埃伦娜从孩提时期就是一对好朋友。她们驾车从巴黎到乡下。她们的谈话内容公开地亲密，但更引人入胜的是她们对彼此性格以及情欲的一致的理解……

八年前，涂靖宇的父母因车祸身亡，妹妹箬婷患病住院，父好友宋伟励收养了涂家兄妺俩。涂靖宇和宋伟励的女儿心怡成婚，不料在旅行中突发火灾，宋伟励、心怡不幸死亡，涂接任怡然集团总经理。一项收购计划中，杨光与振东意见不合，涂支持杨光引起振东嫉恨，告发涂有纵火嫌疑，致使收购资金不到位，陷入困境。妻子贤爱离开涂，振东在偶然中结识箬婷，得知涂是无辜的，杨光就是易容后的心怡，她并没有死，而是怀疑涂有纵火嫌疑回到怡然集团，欲寻机报复。振东毅然帮助涂澄清亊实，杨光伤痛欲绝，不能原谅自已。风波过后，涂重振怡然，收购案成功。振东带箬婷美国治病并相爱。一年后，涂来首尔寻找在医院做义工的贤爱，站在汉江边回想这一切，感慨万分

征战股市的工薪族面对巨大的阴谋发生的故事。

法国印象主义的健将之一马塞尔·莱尔比耶（Marcel L’Herbier）在1928年导演的默片史诗L'Argent，本片由Brigitte Helm、Marie Glory和Yvette Guilbert主演。 　　该片以小型的故事折射宽广的现实，一心想实现自己飞行壮举的Jacques和自己的妻子被一个银行家所利用．

The lives of three thieves attempting to rob a house are altered by what they see inside.

新生夫妇和俊书离开郁闷的首尔，挑战在农村的咖啡店创业。 这对夫妇试图改变的背后有无法言喻的苦恼，因为不符合内心的和谐，所以每个房间都是性骚扰。与丈夫为了关系界线的努力无关，妻子纳尼从很久以前开始就一直与性爱搭档达浩进行外遇，像往常一样，在野外享受性爱，卷入了意想不到的肇事逃逸事故，得到了巨额的和解金。 对于从结婚前开始就因为大手大脚而完全依靠丈夫经济能力的纳尼来说，这是荒唐的金额。纳尼苦恼了很久，甚至跪下去寻找受害者昌秀，呼吁妥善处理，但农夫昌秀反而执拗地抓住她的弱点，要求她与屈辱的肉体关系。 我在你沦为农村副昌秀的性装饰品的时候，一直走在危险的走钢丝的时候，最近对神经质的妻子纳尼不满的丈夫俊书，也因为年轻而挑衅的兼职生清雅的魅力，开始关注自己独特的性取向… 那么将这对夫妇紧紧束缚的农民昌秀和清儿的真实身份和像蜘蛛网一样交织在一起的他们的命运是？

片名刻意呼應膾炙人口的前作《美利堅帝國的衰亡》（11 屆），丹尼阿肯延續《老豆堅過美利堅》（28 屆）的潑辣筆觸，調侃資本主義的墮落本質。加國善心男自覺活在笨蛋崇拜白痴的世界，擁有高學歷卻只能當速遞員，開工遇上黑吃黑火併，撿到兩大袋鈔票，該如何是好？金錢萬惡也萬能，先找個有案底的洗錢高手，再搭上高級應召女郎，加上逃稅專家，不義之財能否漂白？黑白兩道窮追不捨，雪球也越滾越大，財真的可以通神，逢凶化吉？